- #Friday the 13th film rating how to
- #Friday the 13th film rating cracked
- #Friday the 13th film rating movie
#Friday the 13th film rating how to
Studios have learned how to work the margins with small-budget horror films, and occasionally hit a home run with a “Sixth Sense,” a “Get Out” or an “IT.” R-rated horror is still popular, but not nearly to the same degree it once was. But horror films are produced at a fraction of the cost, making their return on investment a pretty safe bet.
#Friday the 13th film rating movie
It’s tough for any horror movie - be it PG-13 or R - to make the kind of money that a “Star Wars” or “Avengers” film would. This means that in the 2000s, eight of the 20 most successful horror films were PG-13. Once again, four PG-13 films have made the top 20, with their earnings exceeding those PG-13 films from the previous decade. This has continued in the current decade. Haley Joel Osment in a scene from the film “The Sixth Sense.” Disney Enterprises Inc. From 2000-2009, this number stayed at four, but these four made considerably more money than those from the previous decade, even when adjusted for inflation.
#Friday the 13th film rating cracked
As mentioned, only four PG-13 horror movies cracked the genre’s top 20 during the ’90s. These two were films weren’t strictly horror, weaving in fantasy and thriller elements, but they signaled a major shift in mainstream attitudes toward horror content.
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The following year, the Harrison Ford/Michelle Pfeiffer film “ What Lies Beneath” brought in $155 million stateside and almost $136 million internationally. box office, and $379 million internationally. “ The Sixth Sense” made $293 million at the U.S. This trend began changing in 1999, though, with “The Sixth Sense.” Change No. Of the U.S.’s 20 highest-grossing horror movies during the 1990s, only four were rated PG-13. 2: Horror had an identity crisisĬould horror still be a bastion of counter-culture if its content was deemed OK for minors?Īntunes continues: “The characteristics of horror which fans appreciated, and which had previously been taken for granted, such as its unsuitability for children, its violence and edginess, were being put to the test, and the question of where to draw the line became a concern of the genre, not to mention parents and critics.”įor the most part, horror retrenched itself in its R-rated roots. “It’s like a Norman Rockwell painting,” Siskel added, “only there’s blood on the turkey.”ġ3 PG-13 horror movies for the last 13 days of October Change No.
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There are some scenes in this movie where it really gets kind of gruesome - especially when that gremlin explodes inside the microwave oven.” “This movie is not the same sort of heartwarming, cheerful fable that ‘E.T.’ was,” Roger Ebert said when he and Gene Siskel reviewed “Gremlins.” “It has a darker sense of humor. Instead, they got a film about murderous critters that also satirizes notions of innocence and “the American way.” the Extra Terrestrial” or 1982’s “Poltergeist,” which Spielberg produced. Though it got a PG rating and was marketed as family friendly, “Gremlins” was far more shocking.ĭante’s resume included the R-rated horror films “Piranha” (1978) and “The Howling” (1981), and he brought the genre’s subversive ethos to “Gremlins.” Parents expected “Gremlins” to reinforce conservative family values, just like Spielberg’s “E.T. Produced by Steven Spielberg and directed by Joe Dante, “Gremlins” was released a month before PG-13 went into effect. And for that, 1984’s “ Gremlins” is partially to thank. People under age 17 could see these films in theaters without a parent or guardian. 1: Horror became less restrictedĪfter 1984, the MPAA rating system had three “unrestricted” ratings: G, PG and PG-13. PG-13 changed the horror movie industry, and pop culture’s relationship with it, in some major ways. And in 1984, when the PG-13 rating was instituted, its importance cemented itself. Thirteen, then, is an important number in horror - in fact, it’s arguably the genre’s most important number. If a teenager is in a horror flick, then a murderer, monster or other baddie probably wants them dead.
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He and his “Friday the 13th” counterparts leveraged the horror genre’s biggest trope - vulnerable teens - to great effect. SALT LAKE CITY - When Crazy Ralph told the teens of Camp Crystal Lake that they were, in his words, “ all dooooooomed!,” it was an understatement.